George Maciunas - Posthumous Reputation

Posthumous Reputation

Maciunas remains enigmatic to this day, and his reputation still elicits strong responses both from artists and critics who have come after Fluxus, and by artists who knew him whilst still alive.

"it was a special mission for George to turn up the lights on any such illusionism and he was ever out to demonstrate that the art world has no clothes. He was perhaps the toughest of all on artists, reserving his strictest judgments for those he saw as self-promoting egoists who played into the hands of "High Art" barons." Larry Miller,

"Dreamer. Child. Utopian, Fascist, Christ, Democrat, Madman. A realist whose realism always needed another kind of reality. (His conceptions of reality never coincided with the accepted reality.) He was beautiful, foolish, dogmatic, charming. Impossible." Milan Knizak

Adrian Searle, art critic for the Guardian, put it succinctly in a review of a Fluxus exhibition;

"Maciunas was fascinating, talented, and by all accounts a nightmare. Like André Breton, godfather of the surrealist movement, Maciunas would invite artists, composers and even philosophers to take part in activities. He would charm them, boss them around for years, then perform summary excommunications, banishing those who displeased him..... Maciunas would take against individuals for no good reason - composer Karlheinz Stockhausen was one - and damn by association those who had anything to do with them. All this was wearying."

"Richard Long's walks, Gilbert and George posing as living sculptures, Sarah Lucas's early work and a million other small gestures, actions and ephemeral objects can trace their origins back to Fluxus. It was a conduit through which ideas and personalities flowed, and still flow today. Fluxus inevitably failed, and came to be seen as old hat. It was partly a problem of packaging, though Maciunas was a very good graphic designer for whom no detail was too small to be worried over. Fluxus's aim to eliminate music, theatre, poetry, fiction and all the rest of the fine arts combined was doomed. Only the mass entertainment industry might achieve such a thing." Adrian Searle

The view that his death liberated Fluxus is also widespread;

"I do believe that Fluxus not only survived George, but now that it is finally free to be Fluxus, it is becoming that something/nothing with which George should be happy." Ben Patterson

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