Selected List of Works
- A History of Wood engraving (1883)
- Studies in Letters and Life (1890)
- Heart of Man (1899)
- Wild Eden (1899)
- Makers of Literature (1900)
- Nathaniel Hawthorne (1902)
- America in Literature (1903)
- Swinburne (1905)
- The Torch: Eight Lectures on Race Power in Literature (1905)
- Emerson (1907)
- The Appreciation of Literature (1907)
- Great Writers (1907)
- Life of Poe (two volumes, 1909)
- The Inspiration of Poetry (1910)
- Wendell Phillips (1912)
- A Day at Castrogiovanni (1912)
- North Africa and the Desert (1914)
- Two Phases of Criticism (1914)
Other publications:
- Life of Edgar Allan Poe in the "American Men of Letters" series (1885)
- The North Shore Watch, and Other Poems (1890)
- Works of Edgar Allan Poe (ten volumes, 1895) With Edmund Clarence Stedman
- Collected Poems (1903)
- The Kingdom of All Souls, poems, (1912)
- The Flight and Other Poems (1914)
He edited The complete Poetical Works of Percy Bysshe Shelley (1892); Lamb's Essays of Elia (1892); The Works of Edgar Allan Poe, with E. C. Stedman (1894); and Select Poems of Aubrey de Vere (1894). He wrote compositions in the "National Studies in American Letters," and Columbia University Studies in Comparative Literature, (nine volumes).
Read more about this topic: George Edward Woodberry
Famous quotes containing the words selected, list and/or works:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“All is possible,
Who so list believe;
Trust therefore first, and after preve,
As men wed ladies by license and leave,
All is possible.”
—Sir Thomas Wyatt (1503?–1542)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)