Models
As an architect Knobelsdorff was greatly influenced by Andrea Palladio's buildings and theoretical works on architecture. This important Italian architect of the High Renaissance published in 1570 the definitive work, "Quattro libri dell´architettura" containing his own creations as well numerous drawings of antique architecture. Stimulated by Palladio, a building style developed which was widespread in the 17th century in Protestant and Anglican Northern Europe, especially England. In contrast to the simultaneous baroque style with its silhouettes and concave-convex frontage reliefs, Palladianism made use of classically simple, clear shapes. Knobelsdorff also undertook to follow this style on almost all his buildings, at least as far as the exteriors. He did not simply copy the models but converted them into his own style (only after his death did direct copies of foreign frontages become common in Berlin and Potsdam). In the broad sense he already represented Classicism, which in the narrow sense only began in Prussia in the late 18th century and achieved its apex in the early 19th century with Karl Friedrich Schinkel. As to interior decoration, Knobelsdorff followed from the beginning the main fashions of his time and provided superb examples of late baroque decorative art in his Frederician rococo style, which was inspired by French models.
Read more about this topic: Georg Wenzeslaus Von Knobelsdorff
Famous quotes containing the word models:
“... your problem is your role models were models.”
—Jane Wagner (b. 1935)
“Grandparents can be role models about areas that may not be significant to young children directly but that can teach them about patience and courage when we are ill, or handicapped by problems of aging. Our attitudes toward retirement, marriage, recreation, even our feelings about death and dying may make much more of an impression than we realize.”
—Eda Le Shan (20th century)
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)