Reception/box Office Performance/aftermath
Upon release in July 1953, Gentlemen Prefer Blondes was greeted with rave reviews by both the critics and audiences. The film earned more than seven and a half million dollars at the box office and was the sixth highest-grossing film of 1953, right behind Monroe's next feature How to Marry a Millionaire. Monroe and Russell were both praised for their performances as Lorelei and Dorothy; and, as a result, the characters have become extremely popular in pop culture.
As a result of the film's success, Monroe and Russell were given the chance to put their hand and feet prints in cement at Grauman's Chinese Theatre; a spectacle that got a lot of publicity for both actresses.
German film director Rainer Werner Fassbinder declared it one of the ten best films ever made.
Read more about this topic: Gentlemen Prefer Blondes (film)
Famous quotes containing the words reception, box, office, performance and/or aftermath:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I shall return in the dark and be seen,
Be led to my own room by well-intentioned hands,
Placed in a box with a lid whose underside is dark
So as to grow....”
—John Ashbery (b. 1927)
“This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England.”
—William Shakespeare (1564–1616)
“Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They can’t even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.”
—Norman Douglas (1868–1952)
“The aftermath of joy is not usually more joy.”
—Mason Cooley (b. 1927)