Plot
A story of a modern day Robin Hood who takes from the corrupted rich to provide education for the poor. Krishnamoorthy alias Kicha (Arjun) is a respected person in his local community and runs a small business. But Kicha, at the same time, is also a undercover robber.
He is accompanied by his friend Mani (Goundamani). He has stolen millions of rupees from many victims. The home minister and the police are adamant to catch this mysterious robber yet are unsuccessful. Susheela (Madhoo), a simple Brahmin girl working under Kicha falls for him. Azhagar Nambi (Charan Raj) is an efficient Police officer who takes charge to nab Kicha, at one instance Azhagar Nambi challenges to really catch him and makes a plan.
But Kicha still escapes and this results in the tonsuring of Azhagar Nambi's head. Later Azhagar Nambi gets married to the cousin of Susheela, which leads him closer in identifying Kicha. But Kicha somehow finds a way and escapes. Kicha makes one final robbery as planned and once he makes it Azhagar Nambi arrests him. It was reported that Kicha spent all the theft money to build a college for the poors.
At the courtroom, he reveals the reasons of his Robinhood Avatar with a very strong flashback about a tragedy in his family resulting in the death of his mother (Manorama) and his best friend Ramesh (Vineeth).
Read more about this topic: Gentleman (film)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)