Gene Ha - Techniques and Materials

Techniques and Materials

Once Ha obtains a script, he makes "tiny" thumbnail sketches of each page, and then makes layout sketches on reduced copies of comic art board, two per page. It is at this stage that he works out the light/dark balance of the page. Though he says about 90% of his artwork are done without photo reference, he will sometimes photograph his friends posing as the central characters, or use a full length mirror to draw himself. He renders minor characters from his imagination. Irrespective of how much sunlight he has on a given day, he prefers to use a 500W incandescent photo lamp, though he believes a 500W halogen lamp is also adequate. He prefers to use a lead holder with H lead for sketching, and 2B lead for shading, which he sharpens with a rotary lead pointer, believing that such leads can be sharpened better than a traditional pencil. He blows up a scan of each page layout to 8.5" x 11", and draws "tight" pencils on top of these, which are then scanned and printed on 11" x 17" inkjet paper in faint blue line. He prefers Xerox paper because he feels that the surface of marker paper tends to get smudgy or oily. When modifying art in his computer, he uses Photoshop.

To effect his current ink wash style of shading and inking, he uses a variety of warm grey Copic markers with wide and brush tips, in particular a 9W Copic Sketch brush marker. For outlines and precise shading effects he will use a variety of pencils, most notably a 2B pencil, and for highlights and corrections, he will use white chalk pencils and white gouache paint. He also uses Staedtler Mars technical pens.

When doing digitally painted covers, he also uses a Winsor & Newton Series 7 Size 1 brush, Badger Air Opaque airbrush paint, water soluble ink wash and Strathmore Windmill vellum 100 lb. Bristol board. He cleans his brushes with Masters Brush Cleaner, to which he adds water for a gel consistency.