Funerary Art - Traditional Societies

Traditional Societies

There is an enormous diversity of funeral art from traditional societies across the world, much of it in perishable materials, and some is mentioned elsewhere in the article. In traditional African societies, masks often have a specific association with death, and some types may be worn mainly or exclusively for funeral ceremonies. The funeral ceremonies of the Indigenous Australians typically feature body painting; the Yolngu and Tiwi people create carved pukumani burial poles from ironwood trunks, while elaborately carved burial trees have been used in south-eastern Australia. The Toraja people of central Sulawesi are famous for their burial practices, which include the setting-up of effigies of the dead on cliffs. The 19th and 20th century royal Kasubi Tombs in Uganda, destroyed by fire in 2010, were a circular compound of thatched buildings similar to those inhabited by the earlier Kabakas when alive, but with special characteristics.

In several cultures, goods for use in the afterlife are still interred or cremated, for example Hell bank notes in East Asian communities. In Ghana, mostly among the Ga people, elaborate figurative coffins in the shape of cars, boats or animals are made of wood. These were introduced in the 1950s by Seth Kane Kwei.

Read more about this topic:  Funerary Art

Famous quotes containing the words traditional and/or societies:

    There are two kinds of fathers in traditional households: the fathers of sons and the fathers of daughters. These two kinds of fathers sometimes co-exist in one and the same man. For instance, Daughter’s Father kisses his little girl goodnight, strokes her hair, hugs her warmly, then goes into the next room where he becomes Son’s Father, who says in a hearty voice, perhaps with a light punch on the boy’s shoulder: “Goodnight, Son, see ya in the morning.”
    Letty Cottin Pogrebin (20th century)

    Modern equalitarian societies ... whether democratic or authoritarian in their political forms, always base themselves on the claim that they are making life happier.... Happiness thus becomes the chief political issue—in a sense, the only political issue—and for that reason it can never be treated as an issue at all.
    Robert Warshow (1917–1955)