Front Vowel - Effect On Preceding Consonant

Effect On Preceding Consonant

In the history of many languages, for example French and Japanese, front vowels have altered preceding velar or alveolar consonants, bringing their place of articulation towards palatal or postalveolar. This change can be allophonic variation, or it can have become phonemic.

This historical palatalization is reflected in the orthographies of several European languages, including the "c" and "g" of almost all Romance languages, the "k" and "g" in Norwegian, Swedish and Icelandic, and the "κ", "γ" and "χ" in Greek. English follows the French pattern, but without as much regularity. However, for native or early borrowed words affected by palatalization, English has generally altered the spelling after the pronunciation (Examples include cheap, church, cheese, churn from *k, and yell, yarn, yearn, yeast from *ɡ.)

Before back vowel: hard Before front vowel: soft
English "C" call cell
English "G" gall gel
French "C" calque cela
French "G" gare gel
Italian "C" cara ciao
Italian "G" gallo genere
Italian "SC" scala scena
Swedish "K" karta kär
Swedish "G" god göra
Swedish "SK" skal skäl

Read more about this topic:  Front Vowel

Famous quotes containing the words effect on, effect and/or preceding:

    We are such docile creatures, normally, that it takes a virus to jolt us out of life’s routine. A couple of days in a fever bed are, in a sense, health-giving; the change in body temperature, the change in pulse rate, and the change of scene have a restorative effect on the system equal to the hell they raise.
    —E.B. (Elwyn Brooks)

    I care not by what measure you end the war. If you allow one single germ, one single seed of slavery to remain in the soil of America, whatever may be your object, depend upon it, as true as effect follows cause, that germ will spring up, that noxious weed will thrive, and again stifle the growth, wither the leaves, blast the flowers, and poison the fair fruits of freedom. Slavery and freedom cannot exist together.
    Ernestine L. Rose (1810–1892)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)