Characters
The Kincaids live in Greenwich, Connecticut, a suburb of New York City where Mr. Kincaid works. Mrs. Frankweiler lives on a "country estate" in Farmington, Connecticut, closer to Hartford.
- Claudia Kincaid, 12, is the oldest of four children and the only girl, so she both sets the table and empties the dishwasher. She is a straight-A sixth grade student, a critic of English grammar, and a good planner, except about money which she spends largely on sweets. She feels unappreciated at home, plans to run away with her brother Jamie, and recruits him. They run to the Metropolitan Museum and there discover a mystery of the art world, which fascinates her and overwhelms the adventure.
- Jamie Kincaid, 9, is the third child and the middle boy, in third grade, quiet and frugal. He complements his sister perfectly: "adventurous (about everything but money) and rich" —from their viewpoint, an American suburb in the mid‑1960s. He cheats at the card game War, playing with his best friend for money on the school bus daily. From that and his weekly allowance he has saved $24.43, and he has a transistor radio, his one purchase.
- Mrs. Basil E. Frankweiler, 82, is smart, insightful, eccentric, and rich. She is a narrator, telling the story of Claudia and Jamie Kincaid to her attorney. She is a commentator, providing insight into the children's actions. She is plot facilitator, for her election to allow sale of an extraordinary sculpture at auction, for only $225, set the book's mystery in motion.
Read more about this topic: From The Mixed-Up Files Of Mrs. Basil E. Frankweiler
Famous quotes containing the word characters:
“We are like travellers using the cinders of a volcano to roast their eggs. Whilst we see that it always stands ready to clothe what we would say, we cannot avoid the question whether the characters are not significant of themselves.”
—Ralph Waldo Emerson (1803–1882)
“There are as many characters in men
As there are shapes in nature.”
—Ovid (Publius Ovidius Naso)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)