Recording
This album saw the burgeoning of the songwriting partnership between Paul Rodgers and bassist Andy Fraser, which had been glimpsed on Tons of Sobs with songs such as "I'm a Mover"; here, eight out of the nine tracks bear a Fraser/Rodgers credit. Possibly as a result of the sixteen year-old Fraser's influence as a songwriter the bass guitar is far more prominent here than on the previous album, and indeed is used more widely than most other bands' albums do. The instrument is used as a rhythm guitar, driving the songs, while Kossoff's lead guitar develops from it.
While Fraser and Rodgers made a strong writing partnership, tensions in the band increased as some felt that Fraser held the band in a stranglehold. Kossoff, whose natural spontaneity had been given free rein up to then, particularly resented being taught very specific rhythm guitar parts by Fraser. However, Blackwell managed to keep the band in line to record the album.
However, the album performed fairly poorly on release, only reaching #22 in the UK charts and failing completely in the US. The single releases, "Broad Daylight" and "I'll Be Creepin'", also failed. Two songs from the album, "I'll Be Creepin'" and "Woman", were later covered by the American rock band Three Dog Night. It would not be until the release of "All Right Now" the following year that Free became truly successful.
Read more about this topic: Free (Free Album)
Famous quotes containing the word recording:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)