Influence
Turner's ideas influenced many areas of historiography. In the history of religion, for example, Boles (1993) notes that William Warren Sweet at the University of Chicago Divinity School, argued that churches adapted to the characteristics of the frontier, creating new denominations such as the Mormons, the Church of Christ, the Disciples of Christ, and the Cumberland Presbyterians. The frontier, they argued, shaped uniquely American institutions such as revivals, camp meetings, and itinerant preaching. This view dominated religious historiography for decades. Moos (2002) shows that the 1910s to 1940s black filmmaker and novelist Oscar Micheaux incorporated Turner's frontier thesis into his work. Micheaux promoted the West as a place where blacks could transcend race and earn economic success through hard work and perseverance.
Slatta (2001) argues that the widespread popularization of Turner's frontier thesis influenced popular histories, motion pictures, and novels, which characterize the West in terms of individualism, frontier violence, and rough justice. Disneyland's Frontierland of the late 20th century reflected the myth of rugged individualism that celebrated what was perceived to be the American heritage. The public has ignored academic historians' anti-Turnerian models, largely because they conflict with and often destroy the icons of Western heritage. However, the work of historians during the 1980s-1990s, some of whom sought to bury Turner's conception of the frontier and others who have sought to spare the concept while presenting a more balanced and nuanced view, have done much to place Western myths in context and rescue Western history from them.
Read more about this topic: Frederick Jackson Turner
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