Frank Buck Zoo and Animal Collecting
The Frank Buck Zoo in Gainesville, Texas (initially populated with retired circus animals) is named in his honor.
The menagerie retrieved by Frank Buck for the world's zoos and circuses is impressive. He estimated that in his years of hunting, he had brought back alive 49 elephants, 60 tigers, 63 leopards, 20 hyenas, 52 orangutans, 100 gibbon apes, 20 tapirs, 120 Asiatic antelope and deer, 9 pigmy water buffalo, a pair of gaurs, 5 Babirusa wild Asian swine, 18 African antelope, 40 wild goats and sheep, 11 camels, 2 giraffes, 40 kangaroos and wallabies, 5 Indian rhinoceroses, 60 bears, 90 pythons, 10 king cobras, 25 giant monitor lizards, 15 crocodiles, more than 500 different species of other mammals, and more than 100,000 wild birds. Sultan Ibrahim of Johor was a close friend of Frank Buck and frequently assisted Buck in his animal collecting endeavors.
Read more about this topic: Frank Buck (animal Collector)
Famous quotes containing the words frank, buck, zoo, animal and/or collecting:
“I do wish you’d stop reading my mind.... It’s so frightfully disconcerting—like being followed up one’s trousers.”
—Abraham Polonsky, U.S. screenwriter, Frank Butler, and Helen Deutsch. Mitchell Leisen. Col. Deniston (Ray Milland)
“Not dancing but nearly risen
Through barnlike, theatrelike houses
On the winds of the buck and wing.”
—James Dickey (b. 1923)
“...there was the annual Fourth of July picketing at Independence Hall in Philadelphia. ...I thought it was ridiculous to have to go there in a skirt. But I did it anyway because it was something that might possibly have an effect. I remember walking around in my little white blouse and skirt and tourists standing there eating their ice cream cones and watching us like the zoo had opened.”
—Martha Shelley, U.S. author and social activist. As quoted in Making History, part 3, by Eric Marcus (1992)
“In the animal kingdom, the rule is, eat or be eaten; in the human kingdom, define or be defined.”
—Thomas Szasz (b. 1920)
“Though collecting quotations could be considered as merely an ironic mimetism—victimless collecting, as it were ... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.”
—Susan Sontag (b. 1933)