Publication History
Flex Mentallo first appeared in 1991 in issue #35 of Grant Morrison's run on Doom Patrol as a member of the audience for Danny the Street's Perpetual Cabaret. Later in the storyline, Flex reveals that he is actually "The Man of Muscle Mystery", and tidies his appearance. In issue #42, Flex is revealed to be not an entirely original creation, but rather a parody of the post-workout protagonist of Charles Atlas' long-running "The Insult that made a Man out of Mac" advertisements seen in American comics from the past.
Also parodied was My Greatest Adventure, the title the Doom Patrol originally appeared in. Part of a long string of fictional characters "come to life" in Morrison's writing, Flex was apparently created by a psychic child with a green pen. The characters created in this child's youthful scrawlings, titled "My Greenest Adventure", apparently came to life. Amongst Flex's "Greenest Adventure" siblings were the villainous Waxworker and the heroic Fact.
In 1996, Flex Mentallo received his own four-issue mini-series written by Morrison and illustrated by Frank Quitely. Although ignored by the Charles Atlas company at the time, it was later brought to the company's attention by a fan of the comics. Charles Atlas company president Jeffrey C. Hogue was unhappy with its likeness being used this way, and filed a trademark infringement suit against DC Comics. DC submitted a motion for summary dismissal, which was granted on the basis of fair use using the parody defense.
DC has reprinted Flex's initial appearances, including the Charles Atlas parody, in the third and fourth collections of the Morrison Doom Patrol stories, "'Down Paradise Way" and "Musclebound". In 2012, DC reprinted the miniseries in a hardcover edition with bonus material. The miniseries had previously been reprinted in Italian by Italian publisher Magic Press.
Read more about this topic: Flex Mentallo
Famous quotes containing the words publication and/or history:
“An action is the perfection and publication of thought. A right action seems to fill the eye, and to be related to all nature.”
—Ralph Waldo Emerson (1803–1882)
“A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
—Aristotle (384–323 B.C.)