Art
Befitting to the Fisher Building's history in association with art, there have been three nationally recognized Fine Art Galleries that have been located in the structure including the Gertrude Kasle Gallery and London Fine Arts Group.
- Gertrude Kasle Gallery: Located in Suite 310 of the Fisher Building from 1965-1976 was a nationally recognized Fine Art Gallery hosting exhibits for some of the most highly respected artists of the second half of the 20th century including Willem de Kooning, Jim Dine, Helen Frankenthaler, Robert Goodnough, Adolph Gottlieb, Phillip Guston, Grace Hartigan, Ian Hornak, Ray Johnson, Robert Motherwell, Lowell Nesbitt, Claes Oldenburg, Robert Rauschenberg and Jack Tworkov.
- London Arts Group: Located in a large portion of the third floor of the Fisher Building during the 1970s and 1980s, London Fine Arts Group acted as an internationally recognized publishing company assisting in producing limited edition art works for many internationally recognized artists including Yaacov Agam, Karel Appel, Arman, Romare Bearden, Gene Davis, Don Eddy, Alberto Giacometti, Ian Hornak, Lester Johnson, Alex Katz, Richard Lindner, Roberto Matta, Lowell Nesbitt, Robert Rauschenberg, Donald Sultan, Victor Vasarely and Larry Zox.
Read more about this topic: Fisher Building
Famous quotes containing the word art:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“One line typed twenty years ago
can be blazed on a wall in spraypaint
to glorify art as detachment
or torture of those we
did not love but also
did not want to kill.”
—Adrienne Rich (b. 1929)
“The chief element in the art of statesmanship under modern conditions is the ability to elucidate the confused and clamorous interests which converge upon the seat of government. It is an ability to penetrate from the naïve self-interest of each group to its permanent and real interest.... Statesmanship ... consists in giving the people not what they want but what they will learn to want.”
—Walter Lippmann (1889–1974)