Fantasy (Mariah Carey Song) - Composition

Composition

"Fantasy" is an up-tempo pop and dance-pop song, which blends elements of contemporary R&B, hip hop, and bubblegum pop. The remix, which features rap verses from O.D.B, also incorporates hip-hop into the bridge. The song uses heavy bass and percussion, as well as a sample from "Genius of Love". The song is set in the signature common time, and is written in the key of G major. It features a basic chord progression of A♭-F♭-1. Carey's vocal range in the song spans from the note of G3 to the high note of E6; the piano and guitar pieces range from D♭4 to E♭5 as well. The song contains choral lyrics written by Carey, who also developed the song's melody and original beat. Instrumentation and production was performed by Dave Hall, while co-arranging and producing the track as well. The members of the Tom Tom Club, Tina Weymouth, Chris Frantz, Steven Stanley and Adrian Belew are all credited as writers due to the inclusion of the music sample they wrote. While reviewing Daydream, Bill Lamb from About.com heavily praised the song's usage of the Tom Tom Club sample, writing "The bumping beat of Tom Tom Club's classic "Genius Of Love" underlying "Fantasy" is utterly irresistible. The upbeat songs here venture further into hip hop territory than on previous Mariah Carey albums. The result was massive R&B chart success."

Read more about this topic:  Fantasy (Mariah Carey Song)

Famous quotes containing the word composition:

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)

    The proposed Constitution ... is, in strictness, neither a national nor a federal constitution; but a composition of both.
    James Madison (1751–1836)

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)