Fabula Nova Crystallis Final Fantasy - Setting

Setting

The universe of Fabula Nova Crystallis is divided in two: the Visible World (the land of the living) and the Unseen World (the afterlife). The Visible World is controlled by fal'Cie ( /fælˈsiː/), crystal-based mechanical beings with godlike power that are created by two of the three original fal'Cie brought into existence by the god Bhunivelze, while the Unseen World is ruled by Etro, the third fal'Cie, who has her capitol in Valhalla, a land beyond time. The fal'Cie have the capability of marking humans, who were born from the blood of Etro prior to her taking residence in the Unseen World. Those marked by the fal'Cie are called l'Cie ( /ləˈsiː/), and have in their brand a symbol representing their fal'Cie contractor. The l'Cie are given a "Focus", a task to complete either willingly to unwillingly. Once their focus is fulfilled, l'Cie go into 'crystal stasis', transforming into a crystal statue, and according to legend gains eternal life: however, failure to complete the focus result in the l'Cie becoming mindless monsters called Cie'th. Either way, it is mostly seen as a curse. The l'Cie from Type-0 are slightly different: they are chosen, branded and given their individual Focus by the Crystal of their city. They are gifted with magical powers and eternal youth, but are cursed with the gradual loss of their memories and any goal in life apart from protecting and fulfilling their Focus. When their Focus is complete or they die, they enter crystal stasis.

Read more about this topic:  Fabula Nova Crystallis Final Fantasy

Famous quotes containing the word setting:

    High from the summit of a craggy cliff,
    Hung o’er the deep, such as amazing frowns
    On utmost Kilda’s shore, whose lonely race
    Resign the setting sun to Indian worlds,
    The royal eagle draws his vigorous young
    James Thomson (1700–1748)

    We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.
    Henry David Thoreau (1817–1862)

    We don’t arrive at it by standing on one leg or on the first day of our setting out—but though we may jostle one another on the way that is no reason why we should strike or trample—elbowing’s enough.
    George Gordon Noel Byron (1788–1824)