Style
Fabio Vacchi’s music shows an extremely personal and recognizable style resulting from a particular interaction of harmonic, structural, and timbral preferences.
Behind a “siren-like lyricism” in his works, one finds a rigorous structure which stems from the selection, within the sphere of total chromaticism, of an elaborated harmonic plane, according to the criteria of circularity, transposition, and simultaneity, so as to generate a network of contrapuntal thematic lines.
This expressive material constitutes the breeding ground for the ideas that provoke the work’s development. Herein an important role is played also by particular timbral combinations, resulting not only from the use of innovative techniques of sound production, but also from his experience in the field of electro-acoustic analysis and in the field of the physics of sound, experience acquired during his studies in electro-acoustics in Fribourg, where he was invited by Luigi Nono.
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Famous quotes containing the word style:
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)