Style
Fabio Vacchi’s music shows an extremely personal and recognizable style resulting from a particular interaction of harmonic, structural, and timbral preferences.
Behind a “siren-like lyricism” in his works, one finds a rigorous structure which stems from the selection, within the sphere of total chromaticism, of an elaborated harmonic plane, according to the criteria of circularity, transposition, and simultaneity, so as to generate a network of contrapuntal thematic lines.
This expressive material constitutes the breeding ground for the ideas that provoke the work’s development. Herein an important role is played also by particular timbral combinations, resulting not only from the use of innovative techniques of sound production, but also from his experience in the field of electro-acoustic analysis and in the field of the physics of sound, experience acquired during his studies in electro-acoustics in Fribourg, where he was invited by Luigi Nono.
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Famous quotes containing the word style:
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
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“A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.”
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