Exhale (Shoop Shoop) - Composition

Composition

"Exhale (Shoop Shoop)" is an R&B ballad written in the key of C♯ major. The song is set in common time with a tempo of 80 beats per minute. It has the sequence of F(add9)–C/E–Dm7–C as its chord progression throughout the track, and Houston's vocals span an octave and a perfect fifth, from the low note of G3 to the high note of D5. The song's instrumentation includes quiet bells and strings, and the whole arrangement is mellow. According to Steve Knopper of Newsday, the bells resemble electronic Christmas bells, and Houston ad-libs "shoo-pay" over the chorus. The chorus repeats the phrase "shoop de shoop".

According to Bronson, the song summarizes the movie's philosophy. His opinion was somewhat echoed by Ted Cox, author of the book Whitney Houston, who noted that the soothing quality of the song fitted perfectly with the mood and texture of the movie. He described that the song has a "slow groove" that features the most relaxed singing of Houston's career. The Miami Herald described the song as a model of "refined, easy-going soul", and Kyle Anderson of MTV described it as a "smooth jam" with a "crazy-catchy groove". Describing the instrumentation as "silky", Larry Flick of Billboard wrote that Houston's performance was more soulful than before, with far more "vocal colors". Stephen Holden of The New York Times commented that the song is reminiscent of 1960s girl group records, and the verses speak about growing up and learning to let go.

Read more about this topic:  Exhale (Shoop Shoop)

Famous quotes containing the word composition:

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)