Ideas and Literary Criticism
Sedgwick's oeuvre ranges across a wide variety of media and genres; poetry and artworks are not easily separated from the rest of her texts. Disciplinary interests included literary studies, history, art history, film studies, philosophy, cultural studies, anthropology, women’s studies and lesbian, gay, bisexual, transgender and intersex (LGBTI) studies. Her theoretical interests have been synoptic, assimilative and eclectic.
Her work may be best suited to literary students who can cope with, make up their own minds about, and appreciate Sedgwick’s sometimes elaborate prose. She was fond of neologisms, and of extending the meaning of existing words and phrases in new directions. In her own estimate, her style of writing cannot be called easy to understand or clear in meaning, either. Sedgwick was not without her critics, however. Elizabeth Kantor, for example, suggests that Sedgewick's scholarship is seriously lacking, as when she "find some slight similarity between a Jane Austen novel and another text, and then argue from the other text."
Read more about this topic: Eve Kosofsky Sedgwick
Famous quotes containing the words ideas, literary and/or criticism:
“Automobiles are free of egotism, passion, prejudice and stupid ideas about where to have dinner. They are, literally, selfless. A world designed for automobiles instead of people would have wider streets, larger dining rooms, fewer stairs to climb and no smelly, dangerous subway stations.”
—P.J. (Patrick Jake)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (19031974)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)