Criticism
Gombrich was sensitive to the criticism that he did not like modern art and was obliged to defend his position on occasion. He has also been criticized for taking what is now viewed as a eurocentric, not to say neo-colonialist, view of art, and for not including women artists in much of his writing on Western art. His answer to the latter was that he was writing a history of art as it was and that women artists did not feature widely in the West before the 20th century. He admired 20th century female artists such as Bridget Riley whose work was included in a revised edition of The Story of Art.
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“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
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