Television & Movies
Barnes appeared on a 1967 episode of the game show What's My Line? The panelists correctly guessed Barnes was the professional football player-turned-artist.
Barnes played Deke Coleman in the 1969 motion picture Number One with Charlton Heston and Jessica Walter.
In 1971 Barnes, along with Mike Henry, created the Super Comedy Bowl, a CBS television variety special which showcased pro athletes with celebrities such as John Wayne, Frank Gifford, Alex Karras, Joe Namath, Jack Lemmon, Lucille Ball, Carol Burnett and Tony Curtis. A second special aired in 1972.
Barnes played Dr. Penfield in the 1971 movie Doctors’ Wives, which starred Dyan Cannon, Richard Crenna, Gene Hackman and Carroll O'Connor.
Throughout the Good Times television series (1974–79) most of the paintings “created” by the character JJ are works by Ernie Barnes. However a few images, including a Black Jesus, were not by Barnes. Sugar Shack made its debut on Good Times when it was used during the opening and closing credits during the show’s fourth season. In the fifth season it was only used in the closing credits. In the sixth season, Sugar Shack was only used in the opening credits for the first eight episodes and in a few closing credits during that season. In the fifth and sixth seasons, Sugar Shack appears in the background of the Evans family apartment.
Barnes had a bit part on two early episodes of Good Times.
In 1981 Barnes played the famed baseball catcher Josh Gibson of the Negro league in the television movie Don’t Look Back: The Story of Leroy ‘Satchel’ Paige with Lou Gossett, Jr., who played Paige.
Read more about this topic: Ernie Barnes
Famous quotes containing the words television and/or movies:
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)
“... in the movies Paris is designed as a backdrop for only three things—love, fashion shows, and revolution.”
—Jeanine Basinger (b. 1936)