Plot
Alex Holbeck (Martin Sheen) is recruited as a CIA agent. He is sent to East Berlin on a mission to steal an Enigma code scrambler. This is part of an attempt to stop the Russian assassination of five Soviet dissidents which is planned for Christmas Day. What Alex doesn't know is that the CIA already has a code scrambler. By stealing the scrambler in Berlin, they are trying to convince the Russians that they don't have it.
On arrival in Berlin, Alex finds that the KGB knows he is there. Alex must use numerous disguises and escape from a number of capture attempts. He seeks shelter with his former lover, Karen (Brigitte Fossey) before moving on as this is too dangerous for her. Karen and a number of Alex's other old friends are taken and assaulted by the police in an attempt to gain information about Alex's whereabouts. As he gets more desperate, Alex enlists Karen's help again: she seduces Dimitri Vasilikov (Sam Neill), the KGB man in charge of the hunt for Alex, in order to obtain information. In the end Dimitri catches Alex and Karen and finds the scrambler hidden in an exhibition artifact. As he is in love with Karen, he lets them go, however, keeping the scrambler which was in fact not needed. On Christmas Day the assassination attempt is successfully thwarted.
Read more about this topic: Enigma (1983 film)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)