Poetry
- See: Emily Dickinson at Wikisource for complete poetic works
Dickinson's poems generally fall into three distinct periods, the works in each period having certain general characters in common.
- Pre-1861. These are often conventional and sentimental in nature. Thomas H. Johnson, who later published The Poems of Emily Dickinson, was able to date only five of Dickinson's poems before 1858. Two of these are mock valentines done in an ornate and humorous style, and two others are conventional lyrics, one of which is about missing her brother Austin. The fifth poem, which begins "I have a Bird in spring", conveys her grief over the feared loss of friendship and was sent to her friend Sue Gilbert.
- 1861–1865. This was her most creative period—these poems are more vigorous and emotional. Johnson estimated that she composed 86 poems in 1861, 366 in 1862, 141 in 1863, and 174 in 1864. He also believed that this is when she fully developed her themes of life and death.
- Post-1866. It is estimated that two-thirds of the entire body of her poetry was written before this year.
Read more about this topic: Emily Dickinson
Famous quotes containing the word poetry:
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“Thus all probable reasoning is nothing but a species of sensation. ‘Tis not solely in poetry and music, we must follow our taste and sentiment, but likewise in philosophy, When I am convinc’d of any principle, ‘tis only an idea which strikes more strongly upon me. When I give the preference to one set of arguments above another, I do nothing but decide from my feeling concerning the superiority of their influence.”
—David Hume (1711–1776)
“Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.”
—William Hazlitt (1778–1830)