Political Context
In the 1980s, Falardeau and Poulin were very clear as to the goal of the early short films which constituted the first instalment of Elvis Gratton: the intent was to portray (via parody) Falardeau's and Poulin's view of the mindset that they believed had driven a majority of Québécois to vote for the No side of the 1980 referendum on Quebec sovereignty. Gratton is portrayed as fat and uneducated, but also conservative, pro-American, racist and, of course, federalist. The films' comical situations are premissed on Gratton's tacky (quétaine) character and backward-thinking views, with which Falardeau and Poulin sought to associate Quebec federalists more generally. Years later, Falardeau would reveal that he regretted the movie's focus on slapstick comedy and the protagonist's constant comic relief which, in his eyes, removed the underlying message of the movie and made the movie popular only for its jokes. It should be noted in Falardeau's views on Quebec federalists that Gratton is a local entrepreneur, employs a few workers but has other goals in life, like becoming famous all around the world (even with no talent) and most importantly being loved by the world. For example, in the second movie the character accepts all offers and signs all contracts possible (without reading them) in the hope of these goals, even if that's the best way to go bankrupt. Having to be loved by others is linked with Falardeau's view of federalists.
Falardeau's motivation to create a second Elvis Gratton movie started in the 1990s, when Falardeau sought financing for his 15 février 1839 film project showing aspects of the Lower Canada Rebellion. Since this movie was about Quebec's history, Falardeau had been collecting donations for some time until it was suggested that a new Elvis Gratton movie would most likely be a hit and garner sufficient funds. The exercise indeed proved fruitful, and 15 février 1839 was released later in 2001.
Read more about this topic: Elvis Gratton
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