Music Directors, Conductors, Concertmasters, and Current Artistic Leadership
Music and Artistic Directors
- William Eddins 2005 to date
- Grzegorz Nowak 1994-2002
- Uri Mayer 1981-1994 (named Conductor Laureate in 1994)
- Pierre Hétu 1973-1979 (Artistic Director), 1979-1980 (Principal Guest Conductor)
- Lawrence Leonard 1968-1973
- Brian Priestman 1964-1968
- Lee Hepner 1952-1960
Conductors
- Lucas Waldin 2009-2012 (Resident Conductor)
- Petar Dundjerski 2006-2008 (Assistant Conductor in Residence)
- Kazuyoshi Akiyama 2004-2005 (Principal Guest Conductor)
- Franz-Paul Decker 2003-2004 (Principal Guest Conductor)
- David Hoyt 1985-2002 (Resident Guest Conductor, Resident Conductor), 2002-2003 (Artistic Director)
- Peter Nero 1984-1985 (Pops Music Director)
- Daniel Swift 1983-1984 (Assistant Conductor)
- Yuval Zaliouk 1980-1981 (Interim Principal Conductor)
- Mitch Miller 1979-1982 (Principal Guest Conductor for Pops)
- Peter McCoppin 1978-1980 (Assistant Conductor)
- John Barnum 1975-1977 (Assistant Conductor)
- Tom Rolston 1960-1964 (Associate Conductor)
Concertmasters
- Eric Buchmann (Interim) 2010 to date
- Martin Riseley 1994-2010
- Eric Buchmann, Richard Caldwell, Virginie Gagné, Broderyk Olson (Interim, in rotation) 2009-2010
- John Lowry 2002-2003 (Interim)
- James Keene 1972-1994
- Charles (Karol) Dobiáš 1970-1972
- Marguerite Marzantowicz 1960-1964 (Interim), 1964–1970
- Tom Rolston 1958-1964
- Walter Holowach 1957-1958 (Interim)
- Alexander Nicol 1952-1957
Current artistic leadership
- William Eddins was appointed Music Director in January 2005 and made his debut as Music Director in June of that year. Prior to his appointment in Edmonton he spent ten years working with Daniel Barenboim, most recently as Resident Conductor of the Chicago Symphony Orchestra.
Read more about this topic: Edmonton Symphony Orchestra
Famous quotes containing the words music, current, artistic and/or leadership:
“As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.”
—Henry David Thoreau (1817–1862)
“I perceived that to express those impressions, to write that essential book, which is the only true one, a great writer does not, in the current meaning of the word, invent it, but, since it exists already in each one of us, interprets it. The duty and the task of a writer are those of an interpreter.”
—Marcel Proust (1871–1922)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“During the first World War women in the United States had a chance to try their capacities in wider fields of executive leadership in industry. Must we always wait for war to give us opportunity? And must the pendulum always swing back in the busy world of work and workers during times of peace?”
—Mary Barnett Gilson (1877–?)