Culture
The culture of East Timor reflects numerous influences, including Portuguese, Roman Catholic, and Malaysia, on the indigenous Austronesian and Melanesian cultures of Timor. Legend has it that a giant crocodile was transformed into the island of Timor, or Crocodile Island, as it is often called. East Timorese culture is heavily influenced by Austronesian legends, although the Catholic influence is also strong. There is a strong tradition of poetry. Prime Minister Xanana Gusmão, for example, is a distinguished poet. As for architecture, some Portuguese-style buildings can be found, along with the traditional totem houses of the eastern region. These are known as uma lulik (sacred houses) in Tetum, and lee teinu (houses with legs) in Fataluku. Craftsmanship is also widespread, as is the weaving of traditional scarves or tais.
Sports organisations joined by East Timor include the International Olympic Committee (IOC), the International Association of Athletics Federations (IAAF), the International Badminton Federation (IBF), joined the Union Cycliste Internationale, the International Weightlifting Federation, the International Table Tennis Federation (ITTF), and East Timor's national football team joined FIFA. East Timorese athletes competed in the 2003 Southeast Asian Games held 2003. In the 2003 ASEAN Paralympics Games, East Timor won a bronze medal. In the Athens 2004 Olympic Games, East Timorese athletes participated in athletics, weightlifting and boxing. East Timor won three medals in Arnis at the 2005 Southeast Asian Games. East Timor competed in the first Lusophony Games, and in October 2008, the country earned its first international points in a FIFA match with a 2–2 draw against Cambodia.
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Famous quotes containing the word culture:
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“The first time many women hold their tiny babies, they are apt to feel as clumsy and incompetent as any man. The difference is that our culture tells them they’re not supposed to feel that way. Our culture assumes that they will quickly learn how to be a mother, and that assumption rubs off on most women—so they learn.”
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