Musical Style
According to Mario Mesquita Borges of Allmusic, Midnight Syndicate typically create "darkly blended compositions", described both as "gloomy" and "brooding". Leonard Pickel of Haunted Attraction Magazine stated that "each year, the band's music becomes more a part of America's Halloween culture", and stated that the band had "literally formed their own musical genre". For Douglas, however, Dungeons & Dragons was a different style of music from other albums and soundtracks that the band had produced. Originally, he had described Midnight Syndicate's music as "Gothic Nightmare Soundtracks", but claimed that Dungeons & Dragons had a more fantasy feel than previous releases which focused more on horror, meaning that he now describes the band's music as "Gothic Fantasy Nightmare Soundtracks". Chris Harvey of Movement Magazine — a magazine supporting "underground" music and arts — described the album as being symphonic, which he claimed added to the feel of the album. Sounds were also sampled, including the sounds of battle on "Final Confrontation", and spoken words in "Craft of the Wizard".
Peter-Jan Van Damme, owner of the alternative music ezine Darker than the Bat, described Dungeons & Dragons as going more in the direction of contemporary classical composers such as Trevor Jones, while still retaining the horror sound typical of Midnight Syndicate. The album has been categorized into many genres by various reviewers, including neoclassical, Gothic ambient, ethereal, and Gothic rock.
Read more about this topic: Dungeons & Dragons (album)
Famous quotes containing the words musical and/or style:
“There was something refreshingly and wildly musical to my ears in the very name of the white man’s canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-trader’s boat.”
—Henry David Thoreau (1817–1862)
“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”
—Thornton Wilder (1897–1975)