History
Literal dueling pianos can be verified as early as the late 1890s, when ragtime piano players would actually "duel" in an effort to see who could play better and faster. In 1933, when B.H. O'Brien and Charlie Cantrell opened Pat O'Brien's Bar in New Orleans, they included a room where 2 piano players would entertain the crowd on copper-topped baby grand pianos. Players would take turns singing songs requested by the audience, written on cocktail napkins.
In 1986, a piano bar called Dallas Alley (aka "Alley Cats") opened in Dallas as an attempt to copy the piano bar style of New Orleans. Players at this club started redefining the style of dueling pianos by playing more contemporary rock and roll music, coupled with humorous bits that involved lyric substitutions and audience participation. These "bits" would become commonplace at many dueling piano clubs over the years, as a staple of the industry. From there, many dueling piano clubs and chains opened, and there are currently well over 200 different clubs across the United States, and even more in other countries. The name of the concept has also evolved to be called "sing-along" since the goal of the players is not generally to work against each other, but rather to gain audience participation with singing and clapping. This is widely accepted as the current incarnation of dueling pianos/sing-along.
Read more about this topic: Dueling Pianos
Famous quotes containing the word history:
“It takes a great deal of history to produce a little literature.”
—Henry James (1843–1916)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.”
—Eugène Ionesco (b. 1912)