Some articles on door sedan, sedan, door, door sedans:
... Vikings were available as 4-door sedan, deluxe 4-door sedan, convertible coupé with rear deck seat, deluxe convertible coupé with rear deck seat, close-co ...
... (1936–1940) For 1936 available as 2-door Sedan or 4-door Sedan ... For 1937 the 2-door Sedan was renamed Coupe-Sedan, a Coupe (3-Window) was added along with a formal Town-Limousine ... For 1938 a Convertible Coupe and a Convertible Sedan was added ...
1962–1963 Assembly Dearborn, Michigan Kansas City, Missouri Body style 2-door sedan 2-door hardtop 4-door sedan 4-door Station Wagon Engine 170 in3 OHV Straight-6 221 ... Meteor Custom were available in two- and four-door sedans ... The Meteor S-33 was a specially trimmed two-door sedan featuring premium exterior trim and interior appointments including bucket seats, and a ...
1965 Chrysler 300 Production 1965–1968 Body style 4-door sedan 4-door hardtop 2-door hardtop 2-door convertible Platform C-body Engine 383 cu in (6.3 L ... The 4-door sedan was dropped from lineup (leaving the 4-door hardtop), the 440 V8 became standard and only available powerplant in two guises base and more powerful TNT 1965 Chrysler 300 4-door sedan ...
1938–1941 Assembly Detroit, Michigan, USA Body style 4-door sedan Layout FR layout Engine 346 cu in (5.7 L) Monobloc V8 Transmission 3-speed selective synchromesh manual 4-speed Hydra-M ... The new four-door sedan, designed to look like a convertible, showcased trend-setting features including a completely integrated trunk, lack of side running boards (which all makes soon ... In 1938, aside from the standard 4-door sedan, three special order models were built on the Sixty Special body - two very dashing four-door convertibles (each ...
Famous quotes containing the words sedan and/or door:
“One way to do it might be by making the scenery penetrate the automobile. A polished black sedan was a good subject, especially if parked at the intersection of a tree-bordered street and one of those heavyish spring skies whose bloated gray clouds and amoeba-shaped blotches of blue seem more physical than the reticent elms and effusive pavement. Now break the body of the car into separate curves and panels; then put it together in terms of reflections.”
—Vladimir Nabokov (1899–1977)
“A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room.”
—Annie Dillard (b. 1945)