History
Byron was a rapid as well as a voluminous writer. Nevertheless, the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life. He began the first canto of Don Juan in the autumn of 1818, and he was still at work on a seventeenth canto in the spring of 1823. The poem was issued in parts, with intervals of unequal duration. Interruptions in the composition and publication of Don Juan were due to the disapproval and discouragement of friends as well as the publisher's hesitation and procrastination. Canto I. was written in September 1818; Canto II. in December–January, 1818-1819. Both were published on 15 July 1819. Cantos III. and IV. were written in the winter of 1819-1820; Canto V., after an interval of nine months, in October–November 1820, but the publication of Cantos III., IV., V. was delayed till 8 August 1821. In June 1822, Byron began to work at a sixth, and by the end of March, 1823, he had completed a sixteenth canto. But the publication of these later cantos, which had been declined by John Murray, and was finally entrusted to John Hunt, was spread over a period of several months. Cantos VI., VII., VIII., with a Preface, were published on 15 July; Cantos IX., X., XI on 29 August; Cantos XII., XIII., XIV., on 17 December 1823; Cantos XV., XVI. on 26 March 1824. It has been said that the character of Donna Inez (Don Juan's mother) was a thinly veiled portrait of Byron's own wife, Annabella Milbanke (daughter of Sir Ralph Milbanke).
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