Dodge D-Series in Television/Movies
- A 1972 Dodge D-300 was used as a LA County Fire Department paramedic rescue vehicle, aka Squad 51 in the television show Emergency!. The utility body was custom built by Universal Studios for Emergency! according to the Los Angeles County Fire Department's specifications for its paramedic rescue vehicles. It was then donated to the LA County Fire Museum and was then restored thoroughly in 1999. The only thing that changed in the restoration was, a diesel engine replaced the engine used previously. There were 3 Dodge D-series vehicles used in the filming of Emergency!, a 1971, 1972 and a 1973 Dodge D-300. The 1972 and the 1973 were identical except for the grilles.
- In the opening scene of National Lampoon's Christmas Vacation, the driver of a 1963 Dodge D200 harasses the Griswold family. The angry Mr. Griswold gets his car stuck under a lumber trailer.
- In the Supernatural episode "Route 666", a racist that a black man killed in self-defense in the 1960s haunts a town as a phantom D300. The vehicle is extensively modified, particularly through the addition of two diesel smokestacks, and filmed in such a way that identifying features are hard to see. The truck is most recognizable in a sequence where Sam and Dean Winchester pull the actual wreckage of the truck out of a pond.
- In 2009, an episode of Criminal Minds featured a black 1979 D-100 Utiline as the vehicle driven by the villain (or unsub). The truck was the unsub's weapon of choice.
- In the TV series Simon & Simon, the character Rick Simon owned a red 1979 Dodge Macho Power Wagon.
- In the TV series Sons of Anarchy, Opie Winston drives a 1983 Dodge W250.
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Famous quotes containing the words dodge, television and/or movies:
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—Ralph Waldo Emerson (1803–1882)
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—Barbara Ehrenreich (b. 1941)
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
—Harold Rosenberg (1906–1978)