Film
The film "Spirit of Tibet: Journey to Enlightenment, The Life and World of Dilgo Khyentse Rinpoche" was released in 1998. It was made by Matthieu Ricard (French photographer, Buddhist monk, and author) who had travelled with Khyentse Rinpoche for 14 years. It tells Khyentse Rinpoche's story from birth to death, to rebirth, and of his escape following China's invasion of Tibet to his determination to preserve and transmit Buddhist teachings far and wide. The film reveals Tibet's art, ritual philosophy, and sacred dance. Along with rarely photographed areas of Tibet, Bhutan and Nepal, this film features interviews with the Dalai Lama, who speaks about his own spiritual life.
Another film was "Brilliant Moon: Glimpses of Dilgo Khyentse Rinpoche", written and directed by Neten Chokling, and narrated by Richard Gere and Lou Reed. Brilliant Moon uses animation, previously unseen archival footage and photos along with new interviews of Tibet's great teachers, to tell Khyentse Rinpoche's life story, from birth to death to rebirth.
Read more about this topic: Dilgo Khyentse
Famous quotes containing the word film:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)