Theory
Using the twelve notes of the chromatic scale, twelve of each of the three major scales (those with a major third/triad: Ionian, Lydian, and Mixolydian), twelve of each of the three minor scales (those with a minor third/triad: Dorian, Phrygian, and Aeolian), and twelve Locrian scales can be played, totaling eighty-four diatonic scales. The modern musical keyboard, with its black keys grouped in twos and threes, is essentially diatonic; this arrangement not only helps musicians to find their bearings on the keyboard, but simplifies the system of key signatures compared with what would be necessary for a continuous alternation of black and white keys. The black (or "short") keys were an innovation that allows the adjacent positioning of most of the diatonic whole-steps (all in the case of C major), with significant physical and conceptual advantages.
Read more about this topic: Diatonic Scale
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“every subjective phenomenon is essentially connected with a single point of view, and it seems inevitable that an objective, physical theory will abandon that point of view.”
—Thomas Nagel (b. 1938)
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—Ralph Waldo Emerson (1803–1882)