Diamond Cut

A diamond cut is a style or design guide used when shaping a diamond for polishing such as the brilliant cut. Cut does not refer to shape (pear, oval), but the symmetry, proportioning and polish of a diamond. The cut of a diamond greatly impacts a diamond's brilliance; this means if it is cut poorly, it will be less luminous.

In order to best utilize a diamond gemstone's material properties, a number of different diamond cuts have been developed. A diamond cut constitutes a more or less symmetrical arrangement of facets, which together modify the shape and appearance of a diamond crystal. Diamond cutters must consider several factors, such as the shape and size of the crystal, when choosing a cut. The practical history of diamond cuts can be traced back to the Middle Ages, while their theoretical basis was not developed until the turn of the 20th century. Design creation and innovation continue to the present day: new technology—notably laser cutting and computer-aided design—has enabled the development of cuts whose complexity, optical performance, and waste reduction were hitherto unthinkable.

The most popular of diamond cuts is the modern round brilliant, whose facet arrangements and proportions have been perfected by both mathematical and empirical analysis. Also popular are the fancy cuts, which come in a variety of shapes—many of which were derived from the round brilliant. A diamond's cut is evaluated by trained graders, with higher grades given to stones whose symmetry and proportions most closely match the particular "ideal" used as a benchmark. The strictest standards are applied to the round brilliant; although its facet count is invariable, its proportions are not. Different countries base their cut grading on different ideals: one may speak of the American Standard or the Scandinavian Standard (Scan. D.N.), to give but two examples.

Read more about Diamond Cut:  History, Theory, Polish and Symmetry, Choice of Cut, Round Brilliant, Fancy Cuts, Cut Grading

Famous quotes containing the words diamond and/or cut:

    A poet who makes use of a worse word instead of a better, because the former fits the rhyme or the measure, though it weakens the sense, is like a jeweller, who cuts a diamond into a brilliant, and diminishes the weight to make it shine more.
    Horace Walpole (1717–1797)

    You may cut off the heads of every rich man now living—of every statesman—every literary, and every scientific authority, without in the least changing the social situation. Artists, of course, disappeared long ago as social forces. So did the church. Corporations are not elevators, but levellers, as I see them.
    Henry Brooks Adams (1838–1918)