Hypotheses About Formal Literary Features
Some Darwinists have proposed explanations for formal literary features, including genres. Poetic meter has been attributed to a biologically based three-second metric. Gender preferences for pornography and romance novels have been explained by sexual selection. Different genres have been conjectured to correspond to different basic emotions: tragedy corresponding to sadness, fear, and anger; comedy to joy and surprise; and satire to anger, disgust, and contempt. Tragedy has also been associated with status conflict and comedy with mate selection. The satiric dystopian novel has been explained by contrasting universal human needs and oppressive state organization.
Read more about this topic: Darwinian Literary Studies
Famous quotes containing the words hypotheses, formal, literary and/or features:
“We shall do better to abandon the whole attempt to learn the truth ... unless we can trust to the human mind’s having such a power of guessing right that before very many hypotheses shall have been tried, intelligent guessing may be expected to lead us to one which will support all tests, leaving the vast majority of possible hypotheses unexamined.”
—Charles S. Pierce (1839–1914)
“The conviction that the best way to prepare children for a harsh, rapidly changing world is to introduce formal instruction at an early age is wrong. There is simply no evidence to support it, and considerable evidence against it. Starting children early academically has not worked in the past and is not working now.”
—David Elkind (20th century)
“There is no calm philosophy of life here, such as you might put at the end of the Almanac, to hang over the farmer’s hearth,—how men shall live in these winter, in these summer days. No philosophy, properly speaking, of love, or friendship, or religion, or politics, or education, or nature, or spirit; perhaps a nearer approach to a philosophy of kingship, and of the place of the literary man, than of anything else.”
—Henry David Thoreau (1817–1862)
“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (1819–1891)