Arts
Traditional arts in Zimbabwe include pottery, basketry, textiles, jewelry, and carving. Among the distinctive qualities are symmetrically patterned woven baskets and stools carved out of a single piece of wood. Shona sculpture in essence has been a fusion of African folkore with European influences. Also, a recurring theme in Zimbabwean art is the metamorphosis of man into beast.
Among members of the white minority community, theatre has a large following, with numerous theatrical companies performing in Zimbabwe's urban areas.
Though the country's art is admired by those that know of its existence, several Zimbabwean artists have managed to gain a world audience, to name some world-famous Zimbabwean sculptors, we have Nicholas, Nesbert and Anderson Mukomberanwa, Tapfuma Gutsa, Henry Muyradzi, and Locardia Ndandarika. Internationally Zimbabwean sculptors have managed to influence a new generation of artists, particularly Black Americans, through lengthy apprenticeships with master sculptors in Zimbabwe. Contemporary artists like New York sculptor M. Scott Johnson and California sculptor Russel Albans have learned to fuse both African and Afro-diasporic aesthetics in a way that travels beyond the simplistic mimicry of African Art by some Black artists of past generations in the United States.
Read more about this topic: Culture Of Zimbabwe
Famous quotes containing the word arts:
“I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.”
—Henry David Thoreau (1817–1862)
“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (1888–1957)
“But here comes Generosity; giving—not to a decayed artist—but to the arts and sciences themselves.—See,—he builds ... whole schools and colleges for those who come after. Lord! how they will magnify his name!
—One honest tear shed in private over the unfortunate, is worth them all.”
—Laurence Sterne (1713–1768)