Culture of South Africa - Art

Art

The oldest art objects in the world were discovered in a South African cave. Dating from 75,000 years ago, these small drilled snail shells could have no other function than to have been strung on a string as a necklace. South Africa was one of the cradles of the human species. One of the defining characteristics of our species is the making of art (from Latin 'ars' meaning worked or formed from basic material).

The scattered tribes of Khoisan peoples moving into South Africa from around 10,000 BC had their own fluent art styles seen today in a multitude of cave paintings. They were superseded by Bantu and Nguni peoples with their own vocabularies of art forms. In the 20th century, traditional tribal forms of art were scattered and re-melded by the divisive policies of apartheid.

New forms of art evolved in the mines and townships: a dynamic art using everything from plastic strips to bicycle spokes. The Dutch-influenced folk art of the Afrikaner Trekboer and the urban white artists earnestly following changing European traditions from the 1850s onwards also contributed to this eclectic mix, which continues to evolve today.

Contemporary South Africa has a vibrant art scene, with artists receiving international recognition. The recent 'Figures and Fictions' exhibition of South African photography at the Victoria and Albert Museum in London included the work of Mikhael Subotzky, Zanele Muholi, David Goldblatt, Zwelethu Mthethwa and Guy Tillim. Contemporary South African artists whose work has been met with international acclaim include Marlene Dumas and William Kentridge.

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Famous quotes containing the word art:

    “Since art is the expression of beauty and beauty can be understood only in the form of the material elements of the true idea it contains, art has become almost uniquely feminine. Beauty is woman, and also art is woman.”
    —Rémy De Gourmont (1858–1915)

    “When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell’s major generals than it will be if ever it gets into mine.”
    —George Bernard Shaw (1856–1950)

    “Unless we do more than simply learn the trade of our time, we are but apprentices, and not yet masters of the art of life.”
    —Henry David Thoreau (1817–1862)