Culture of Saskatchewan - Theatre

Theatre

See also: Globe Theatre, Regina

Theatre is the branch of the performing arts concerned with acting out stories in front of an audience. The earliest drama selections were of the Christmas school pageants which early one room school house teachers would assemble and present with the assistance of student and parent. The "Socialisti", "Red Devils/Ghosts", "West Country", or the "Coteau Hills Finnish Socialist Society" settled around 1923 in the Steeldale district of Saskatchewan. They would gather in halls and produce local plays.

Several early Saskatchewan communities including Wolseley and Hanley would construct Opera houses to encourage drama production in the early 20th century. The Dominion Drama Festival which showcased a national competition amongst Canadian amateur theatre groups was held in Regina in the mid 1950s.

Thereafter the Regina Little Theatre and Theatre Saskatchewan formed. Theatre and Saskatoon are synonymous with names such as Henry Woolf actor and artistic director and Bob Hinnitt drama organizer of Castle Theatre Aden Bowman Collegiate. The Persephone Theatre, 25th Street Theatre, Shakespeare on the Saskatchewan, and the Globe Theatre produce professional theatrical shows for the Saskatchewan community today.

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Famous quotes containing the word theatre:

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)

    ... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.
    Helen Hayes (1900–1993)

    Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.
    Dame Alice Markova (b. 1910)