Theatre
The Pittsburgh Playhouse at Point Park University has four resident theatre companies. Other theater companies include Bald Theatre Company, barebones productions, Bricolage Production Company, City Theatre, Jewish Theatre of Pittsburgh, Quantum Theatre, Phase 3 Productions, Prime Stage Theatre, Pittsburgh Public Theater, Attack Theater, Unseam'd Shakespeare Company, Terra Nova Theatre Group, Cup-A-Jo Productions, Hiawatha Project, 12 Peers Theater, Organic Theater Pittsburgh, Three Rivers Theatre Company, Carrnivale Theatrics, Theatre Sans Serif, The Summer Company, Throughline Theatre Company, No Name Players, Pittsburgh Musical Theater, Caravan Theatre of Pittsburgh, Pittsburgh Civic Light Opera, Pittsburgh Playwrights Theatre Company, Stage Right, and Pittsburgh Irish and Classical Theatre. The Pittsburgh New Works Festival utilizes local theatre companies to stage productions of original one-act plays by playwrights from all parts of the country. Similarly, Future Ten showcases new ten-minute plays. Saint Vincent Summer Theatre, Off the Wall Productions, Mountain Playhouse, and Stage Right! in nearby Latrobe, Carnegie, Jennerstown, and Greensburg, respectively, employ Pittsburgh actors and contribute to the culture of the region.
August Wilson, one of the most well known playwrights of his generation, was a Pittsburgh native. The majority of his plays are set in the city as well including the two that he won the Pulitzer Prize for Drama for (Fences (play) and The Piano Lesson).
Friday Nite Improvs, an improv show at the University of Pittsburgh's Cathedral of Learning, is Pittsburgh's longest-running theatre show. It has produced a number of professional writers and actors.
Since 1991 the Gene Kelly Awards have honored students in drama in the region, giving a platform to some who have gone on to both theater and film careers.
Read more about this topic: Culture Of Pittsburgh
Famous quotes containing the word theatre:
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (1844–1923)
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)
“The theatre is supremely fitted to say: “Behold! These things are.” Yet most dramatists employ it to say: “This moral truth can be learned from beholding this action.””
—Thornton Wilder (1897–1975)