Culture of Pittsburgh - Theatre

Theatre

The Pittsburgh Playhouse at Point Park University has four resident theatre companies. Other theater companies include Bald Theatre Company, barebones productions, Bricolage Production Company, City Theatre, Jewish Theatre of Pittsburgh, Quantum Theatre, Phase 3 Productions, Prime Stage Theatre, Pittsburgh Public Theater, Attack Theater, Unseam'd Shakespeare Company, Terra Nova Theatre Group, Cup-A-Jo Productions, Hiawatha Project, 12 Peers Theater, Organic Theater Pittsburgh, Three Rivers Theatre Company, Carrnivale Theatrics, Theatre Sans Serif, The Summer Company, Throughline Theatre Company, No Name Players, Pittsburgh Musical Theater, Caravan Theatre of Pittsburgh, Pittsburgh Civic Light Opera, Pittsburgh Playwrights Theatre Company, Stage Right, and Pittsburgh Irish and Classical Theatre. The Pittsburgh New Works Festival utilizes local theatre companies to stage productions of original one-act plays by playwrights from all parts of the country. Similarly, Future Ten showcases new ten-minute plays. Saint Vincent Summer Theatre, Off the Wall Productions, Mountain Playhouse, and Stage Right! in nearby Latrobe, Carnegie, Jennerstown, and Greensburg, respectively, employ Pittsburgh actors and contribute to the culture of the region.

August Wilson, one of the most well known playwrights of his generation, was a Pittsburgh native. The majority of his plays are set in the city as well including the two that he won the Pulitzer Prize for Drama for (Fences (play) and The Piano Lesson).

Friday Nite Improvs, an improv show at the University of Pittsburgh's Cathedral of Learning, is Pittsburgh's longest-running theatre show. It has produced a number of professional writers and actors.

Since 1991 the Gene Kelly Awards have honored students in drama in the region, giving a platform to some who have gone on to both theater and film careers.

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Famous quotes containing the word theatre:

    The theatre is the involuntary reflex of the ideas of the crowd.
    Sarah Bernhardt (1845–1923)

    The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
    David Hare (b. 1947)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)