Theatre
The Pittsburgh Playhouse at Point Park University has four resident theatre companies. Other theater companies include Bald Theatre Company, barebones productions, Bricolage Production Company, City Theatre, Jewish Theatre of Pittsburgh, Quantum Theatre, Phase 3 Productions, Prime Stage Theatre, Pittsburgh Public Theater, Attack Theater, Unseam'd Shakespeare Company, Terra Nova Theatre Group, Cup-A-Jo Productions, Hiawatha Project, 12 Peers Theater, Organic Theater Pittsburgh, Three Rivers Theatre Company, Carrnivale Theatrics, Theatre Sans Serif, The Summer Company, Throughline Theatre Company, No Name Players, Pittsburgh Musical Theater, Caravan Theatre of Pittsburgh, Pittsburgh Civic Light Opera, Pittsburgh Playwrights Theatre Company, Stage Right, and Pittsburgh Irish and Classical Theatre. The Pittsburgh New Works Festival utilizes local theatre companies to stage productions of original one-act plays by playwrights from all parts of the country. Similarly, Future Ten showcases new ten-minute plays. Saint Vincent Summer Theatre, Off the Wall Productions, Mountain Playhouse, and Stage Right! in nearby Latrobe, Carnegie, Jennerstown, and Greensburg, respectively, employ Pittsburgh actors and contribute to the culture of the region.
August Wilson, one of the most well known playwrights of his generation, was a Pittsburgh native. The majority of his plays are set in the city as well including the two that he won the Pulitzer Prize for Drama for (Fences (play) and The Piano Lesson).
Friday Nite Improvs, an improv show at the University of Pittsburgh's Cathedral of Learning, is Pittsburgh's longest-running theatre show. It has produced a number of professional writers and actors.
Since 1991 the Gene Kelly Awards have honored students in drama in the region, giving a platform to some who have gone on to both theater and film careers.
Read more about this topic: Culture Of Pittsburgh
Famous quotes containing the word theatre:
“I think theatre should always be somewhat suspect.”
—Václav Havel (b. 1936)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (1844–1923)