Culture of Melbourne - Film and Drama

Film and Drama

See also: List of movies filmed in Melbourne

Melbourne has been the setting for many novels, television dramas, and films. Fergus Hume's international best-seller Mystery of a Hansom Cab was set in Gold Rush era Melbourne. Frank Hardy's Power Without Glory tells the story of Melbourne businessman John West (based on the real-life John Wren) and is set in a thinly disguised Collingwood, then a working-class suburb of Melbourne. Perhaps the best-known novel internationally is Nevil Shute's novel On the Beach. In 1959, it was made into a film directed by Stanley Kramer and starring Gregory Peck, Ava Gardner and Anthony Perkins. The film depicted the denizens of Melbourne quietly slipping off into eternity as the last victims of a global nuclear holocaust. It was filmed on location in and around Melbourne. Similar filming was undertaken when a 2000 television movie remake was produced.

The world's first feature film, The Story of the Kelly Gang, was filmed in Melbourne in 1906. Some of the more famous Australian films include Mad Max and The Castle. Melbourne has also produced many talented film and television actors including Cate Blanchett, Guy Pearce, Eric Bana and is home to Geoffrey Rush.

Australian audiences saw Melbourne portrayed in the 1960s–70s Crawford Productions police television drama series Homicide and Division 4. Contemporary series include: soap opera Neighbours, Stingers (an undercover police drama), The Secret Life of Us, Kath and Kim, Prisoner (known as Prisoner: Cell Block H for US and UK broadcasts), Halifax f.p., and MDA.

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Famous quotes containing the words film and, film and/or drama:

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)

    Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.
    George Bernard Shaw (1856–1950)