Culture of Manitoba - Film

Film

Several prominent Canadian films were produced in Manitoba. These include The Stone Angel, based on the Margaret Laurence book of the same title, The Saddest Music in the World, Foodland (film), For Angela, and My Winnipeg. Guy Maddin, OM, the creator of My Winnipeg, is a prominent Manitoban screenwriter and film director. Cordell Barker, considered to be one of Canada’s best animators, is also Manitoban. His most notable animated short is The Cat Came Back (1988), which received an Oscar nomination. Another prominent Manitoban animator, Richard Condie, is best known for his 1985 work The Big Snit, which was nominated for an Oscar and won the Genie Award for Best Animated Short, along with over a dozen international awards. Condie is a founding member of the Winnipeg Film Group.

Several major American films were filmed in Manitoba. Among the most prominent of these are The Assassination of Jesse James by the Coward Robert Ford and Capote, both of which received Academy Award nominations. Winnipeg-based Frantic Films has provided special effects for several American films, including Duplicity, Journey to the Center of the Earth, and Superman Returns.

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Famous quotes containing the word film:

    [Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.
    John Briley (b. 1925)

    All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.
    François Truffaut (1932–1984)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)