Cinema
Malaysian filming has gone through five stages. The first stage occurred when narrative filmmaking began in 1933, with the production of Laila Majnun by a company operating out of Singapore. For the first couple of decades following World War II, most films were directed by directors from India and the Philippines, which produced a second stage of movies. The first locally directed film, Permata di-Perlembahan, was produced in 1952. It however failed in the cinemas. A third stage appeared as Singapore-based studios began to produce films in the 1950s, but the industry was subsequently damaged due to independence of Singapore and the loss of studios there. Indonesian films gained popularity at this time, although a small group of filmmakers continued to produce in Malaysia, forming the fourth stage. In the 1980s the local industry began to recover, bringing about the fifth and most eloquent stage, which covered more themes than any previous stage. This was also the first time non-Malay films began to have a significant presence.
The government began to sponsor films in 1975, creating the National Film Development Corporation in 1981. Through this the government offers loans to filmmaker's who want to develop films, however the criteria for obtaining funds has been criticised as promoting only commercial films. Due to this lack of government funding for smaller projects, a strong independent film movement has developed. There has been a large increase in short films, which in the past two decades have begun to gain status in international film festivals. Independent documentaries often cover areas which would normally be censored by the government, such as sex and sexuality, as well as racial inequality and tension. Although the government has criticised some films for not showing multiculturalism, its actions have been inconsistent in that respect, and often favour the Malay culture over others.
Read more about this topic: Culture Of Malaysia, Media
Famous quotes containing the word cinema:
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)
“Photography is truth. The cinema is truth twenty-four times per second.”
—Jean-Luc Godard (b. 1930)