Cinema
Malaysian filming has gone through five stages. The first stage occurred when narrative filmmaking began in 1933, with the production of Laila Majnun by a company operating out of Singapore. For the first couple of decades following World War II, most films were directed by directors from India and the Philippines, which produced a second stage of movies. The first locally directed film, Permata di-Perlembahan, was produced in 1952. It however failed in the cinemas. A third stage appeared as Singapore-based studios began to produce films in the 1950s, but the industry was subsequently damaged due to independence of Singapore and the loss of studios there. Indonesian films gained popularity at this time, although a small group of filmmakers continued to produce in Malaysia, forming the fourth stage. In the 1980s the local industry began to recover, bringing about the fifth and most eloquent stage, which covered more themes than any previous stage. This was also the first time non-Malay films began to have a significant presence.
The government began to sponsor films in 1975, creating the National Film Development Corporation in 1981. Through this the government offers loans to filmmaker's who want to develop films, however the criteria for obtaining funds has been criticised as promoting only commercial films. Due to this lack of government funding for smaller projects, a strong independent film movement has developed. There has been a large increase in short films, which in the past two decades have begun to gain status in international film festivals. Independent documentaries often cover areas which would normally be censored by the government, such as sex and sexuality, as well as racial inequality and tension. Although the government has criticised some films for not showing multiculturalism, its actions have been inconsistent in that respect, and often favour the Malay culture over others.
Read more about this topic: Culture Of Malaysia, Media
Famous quotes containing the word cinema:
“I rather think the cinema will die. Look at the energy being exerted to revive ityesterday it was color, today three dimensions. I dont give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (19151984)
“For me, the cinema is not a slice of life, but a piece of cake.”
—Alfred Hitchcock (18991980)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)