Literature and Theatre
See also: Guyanese literature in the United KingdomPopular Guyanese authors include Wilson Harris, Jan Carew, Denis Williams and E. R. Braithwaite. Braithwaite's memoir To Sir With Love details his experiences as a black high school teacher in the poor East End of London. An early Guyanese born author was Edgar Mittelholzer, who became more well known while living in Trinidad and England. His more well known works include Corentyne Thunder and a three novel set known as the Kaywana Trilogy, the latter focusing on one family through 350 years of Guyana's history.
Although the beginning of theatre in 19th century Georgetown was European, in the early 20th century a new African and Indian Guyanese middle-class theatre emerged. In the 1950s there was an explosion of an ethnically diverse and socially committed theatre. Despite an economic depression, there was a struggle to maintain theatre post-1980. Serious repertory theatre was highlighted by Carifesta and the Theatre Guild of Guyana. Wordsworth McAndrew has been prominent in Guyanese theatre since the 1960s.
Read more about this topic: Culture Of Guyana
Famous quotes containing the words literature and, literature and/or theatre:
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)
“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nations heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)