Literature
Georgia literature is distinct among the literature of other places in the world in its historical and geographical context and the values it imparts to people who enjoy the state's literature. Dramas such as the play-turned-movie Driving Miss Daisy are one example of Georgia's literary culture while better known fiction novels such as Margaret Mitchell's Gone With the Wind and The Color Purple by Alice Walker (The Color Purple's stage adaptation is by Georgia Author and Agnes Scott Alumna Marsha Norman) are other examples. Among the most interesting of Southern literature's genres is Southern Gothic, with such notable Georgia writers as Flannery O'Connor and Erskine Caldwell. Georgia's poets, such as Sidney Lanier, nonfiction writers like humorist Lewis Grizzard also have a place in the state's literary background.
Many writers in Georgia have looked to their past to better understand their present and the challenges Georgians face today. Some of those authors are Raymond Andrews, Olive Ann Burns, Flannery O'Connor, Marion Montgomery, James Dickey, Mary Hood and Alice Walker. Each of these writers have drawn upon the history of the state and the social and political changes in Georgia to create stories about faith, redemption, race, and other important issues.
Read more about this topic: Culture Of Georgia (U.S. State)
Famous quotes containing the word literature:
“A people’s literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.”
—Edith Hamilton (1867–1963)
“I am not fooling myself with dreams of immortality, know how relative all literature is, don’t have any faith in mankind, derive enjoyment from too few things. Sometimes these crises give birth to something worth while, sometimes they simply plunge one deeper into depression, but, of course, it is all part of the same thing.”
—Stefan Zweig (18811942)
“Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.”
—Jorge Luis Borges (1899–1986)