Music and Art
Punta is by the far most popular genre of Garifuna music and has become the most popular genre in all of Belize. It is distinctly Afro-Caribbean, and is sometimes said to be ready for international popularization like similarly-descended styles (reggae, calypso, merengue, etc.). Established stars include Andy Palacio, Herman "Chico" Ramos, "Mohobub" Flores, Adrian "The Doc" Martinez, and Lindsford "Supa G" Martinez. A slower, more melodic variant, known as Paranda, has been catching on recently behind the talents of Honduras' Aurelio Martinez and Paul Nabor of Punta Gorda; Nabor's signature track "Naguya Nei" is considered the informal popular anthem of the Garifuna nation.
Brukdown is a very popular modern style of Belizean music related to Calypso. It evolved out of the music and dance of loggers, especially a form called buru. Its greatest proponents include Wilfred Peters and Gerald "Lord" Rhaburn of Belize City and Leela Vernon of Punta Gorda.
Reggae, Dancehall, and Soca imported from Jamaica and the rest of the West Indies, and Rap, Hip-Hop, heavy metal and rock music from the United States, are also popular among the youth of Belize. Belize's recording industry turns out a few CDs each year; the majority of musical exposure occurs at monthly concerts featuring Belizean and international artists sharing the same card, or else DJ's mixing music at local nightclubs.
Drama and Acting have also become a part of the Belizean culture. Many plays have taken place at the Bliss Center for the Performing Arts and the George Price Center for Peace and development. Several plays that have had a dramatic impact are "Tigga Dead" written by the Governor General. Also "Stop! Stop the Bus" directed by Beverly Swasey.
Read more about this topic: Culture Of Belize
Famous quotes containing the words music and, music and/or art:
“Yankee Doodle, keep it up,
Yankee Doodle, dandy,
Mind the music and the step,
And with the girls be handy.”
—Richard Shuckburg (1756–1818)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“Some authorities hold that the young ought not to lie at all. That, of course, is putting it rather stronger than necessary; still, while I cannot go quite so far as that, I do maintain, and I believe I am right, that the young ought to be temperate in the use of this great art until practice and experience shall give them that confidence, elegance and precision which alone can make the accomplishment graceful and profitable.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)