Music and Art
Punta is by the far most popular genre of Garifuna music and has become the most popular genre in all of Belize. It is distinctly Afro-Caribbean, and is sometimes said to be ready for international popularization like similarly-descended styles (reggae, calypso, merengue, etc.). Established stars include Andy Palacio, Herman "Chico" Ramos, "Mohobub" Flores, Adrian "The Doc" Martinez, and Lindsford "Supa G" Martinez. A slower, more melodic variant, known as Paranda, has been catching on recently behind the talents of Honduras' Aurelio Martinez and Paul Nabor of Punta Gorda; Nabor's signature track "Naguya Nei" is considered the informal popular anthem of the Garifuna nation.
Brukdown is a very popular modern style of Belizean music related to Calypso. It evolved out of the music and dance of loggers, especially a form called buru. Its greatest proponents include Wilfred Peters and Gerald "Lord" Rhaburn of Belize City and Leela Vernon of Punta Gorda.
Reggae, Dancehall, and Soca imported from Jamaica and the rest of the West Indies, and Rap, Hip-Hop, heavy metal and rock music from the United States, are also popular among the youth of Belize. Belize's recording industry turns out a few CDs each year; the majority of musical exposure occurs at monthly concerts featuring Belizean and international artists sharing the same card, or else DJ's mixing music at local nightclubs.
Drama and Acting have also become a part of the Belizean culture. Many plays have taken place at the Bliss Center for the Performing Arts and the George Price Center for Peace and development. Several plays that have had a dramatic impact are "Tigga Dead" written by the Governor General. Also "Stop! Stop the Bus" directed by Beverly Swasey.
Read more about this topic: Culture Of Belize
Famous quotes containing the words music and, music and/or art:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (1879–1955)
“The manuscript lay like a dust-rag on his desk, and Eitel found, as he had found before, that the difficulty of art was that it forced a man back on his life, and each time the task was more difficult and distasteful.”
—Norman Mailer (b. 1923)