Recording
Bassist Dan Andriano notes that:
it was kind of the same as always. We just spent a little more time in all areas of the recording process. We spent a little more time in pre-production, where we worked on the songs with Jerry. Before we started recording, he came out to Chicago and and he was listening to the songs, and we had an opportunity to ask him what he thought. It kind of gave us more time to re-work some stuff that we thought could have been a little better but were a little stumped on, as Jerry had good ideas for the songs. And as far as the actual recording, it was great working with him. It was more like working with a friend. We've known Jerry for a long time, and he's really easy to work with and be around for 12 hours a day. He's got an amazing gear collection. Any kind of guitar you want to use for a song or any kind of amplifier, he probably has it—and he probably has one of the nicest one's of that model. To me, recording was like being in a playground. It's just like, "Let me play this one. Let me try this." Every bass track on the record was recorded with an old Marshall guitar amp.
A tentative title for the album was Church and Destroy.
Read more about this topic: Crimson (Alkaline Trio album)
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)