Characters
Leo Patterson: A criminal prodigy, capable of envisioning many angles to commit any heist given a small period of time. Despite his perceived cowardice, he has a deadly streak.
Tommy Patterson: Leo's father, who was part of the best pick-pocketing crew with his friend Ivan. He was convicted and imprisoned for the murder of Teeg Lawless.
Tracy Lawless: A veteran soldier, Tracy abandoned his unit and returned to Center City to investigate the circumstances of his brother Rick's murder.
Teeg Lawless: A Vietnam war veteran who unknowingly stole from Sebastian Hyde and eventually ended up working for him as an enforcer. His son Tracy would be the same many years later. He was killed under unrevealed cirumstances by Leo Patterson.
Jacob Kurtz: An expert forger and author of popular newspaper strip 'Frank Kafka, Private Eye', he's an acquaintance of Tracy and was once married to Sebastian Hyde's niece.
Sebastian Hyde: The city's kingpin of crime. Most characters in the series have had some kind of dealings with him. He is killed in the final issue of The Sinners miniseries by two young boys who were sent by Tracy Lawless, who was upset that Hyde had brutally beaten his wife after discovering her affair with Lawless.
Jake 'Gnarly' Brown: Owner and manager of the Undertown bar (known as The Undertow due to the n part of the neon sign having long been damaged and never repaired). His father Clevon was instrumental in helping Walter Hyde (Sebastian's father) take over the reins of organized crime in Center City, and as such he lived at the Hyde estate and grew up with Sebastian as his best friend.
Read more about this topic: Criminal (comics)
Famous quotes containing the word characters:
“Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to come out first in the happy ending of moral uplift.”
—Christina Stead (19021983)
“Of the other characters in the book there is, likewise, little to say. The most endearing one is obviously the old Captain Maksim Maksimich, stolid, gruff, naively poetical, matter-of- fact, simple-hearted, and completely neurotic.”
—Vladimir Nabokov (18991977)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (18991977)