Copies by Vincent van Gogh, form an important group of paintings executed by Vincent van Gogh between 1887 and early 1890. While at Saint-Paul asylum in Saint-Rémy-de-Provence, France where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by Jean-François Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh (art dealer) would call the pieces in the series some of his best work.
Read more about Copies By Vincent Van Gogh: Background, Copy After Émile Bernard, Copy After Virginie Demont Breton, Copy After Honoré Daumier, Copy After Gustave Doré, Copy After Keisai Eisen, Copies After Utagawa Hiroshige, Copy After Jacob Jordaens, Copies After Rembrandt
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“An artist neednt be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men.”
—Vincent Van Gogh (18531890)
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—Cyril Ponnamperuma (b. 1923)
“My heart is warm with the friends I make,
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Yet there isnt a train I wouldnt take,
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—Edna St. Vincent Millay (18921950)
“English general and singular terms, identity, quantification, and the whole bag of ontological tricks may be correlated with elements of the native language in any of various mutually incompatible ways, each compatible with all possible linguistic data, and none preferable to another save as favored by a rationalization of the native language that is simple and natural to us.”
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“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (18531890)