Conflicts Involving Critical Mass
There have been many conflicts during Critical Mass bicycling events resulting in injuries, property damage, and arrests. Both bicyclists and motorized vehicle drivers have been victims. Critics say that Critical Mass, a bicycling advocacy event held primarily in large metropolitan cities, is a deliberate attempt to obstruct automotive traffic and disrupt normal city functions, since individuals taking part refuse to obey traffic laws.
Read more about Conflicts Involving Critical Mass: Berkeley, California, USA, Buffalo, NY, USA, Chicago, USA, Honolulu, Hawaii, USA, London, Great Britain, Long Beach, California, USA, Minneapolis, USA, Minsk, Belarus, New York City, USA, Porto Alegre, Brazil, Vilnius, Lithuania, Walnut Creek, California, USA, Warsaw, Poland
Famous quotes containing the words conflicts, involving, critical and/or mass:
“The extrovert and introvert, the realist and idealist, the scientist and philosopher, the man who found himself by refinding his life history and the individual who discovered his being in fantasy, these are the differences between Freud and Jung.”
—Robert S. Steele. Freud and Jung: Conflicts of Interpretation, ch. 10, Routledge & Kegan Paul (1982)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
“At first, he savored only the material quality of the sounds secreted by the instruments. And it had already been a great pleasure when, beneath the tiny line of the violin, slender, resistant, dense and driving, he noticed the mass of the piano’s part seeking to arise in a liquid splashing, polymorphous, undivided, level and clashing like the purple commotion of wave charmed and flattened by the moonlight.”
—Marcel Proust (1871–1922)