Color Gel - History

History

In Shakesperean theatre, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1975. The name gel has continued to be used to the present day. More heat-tolerant self-extinguishing acetate-based materials (marketed as Cinemoid and Roscolene) were developed to deal with higher output light sources. This material fell out of favor, since it could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polyester and polycarbonate based gels. Those materials have superior heat tolerance when compared to acetate-based gels. Polyester "gels" were introduced in 1969 as Gelatran, the original deep dyed polyester. The Gelatran process is still used today to create GAMColor. Other color manufacturers, such as Lee Filters and Apollo Design Technology use polyester as their color substrate. Lee and Apollo use the surface dyed process. Roscolux is 70% polycarbonate and 30% deep dyed polyester. Almost every color manufacturer today uses either polycarbonate or polyester to manufacture their "gels". Even today's gels can burn out (to lighten in color starting in the center) easily, rendering them useless. To help combat this, a high temperature (HT) material (polyester having the highest melting point 480 °F (250 °C)), can be used to help prolong the life in high-heat output lighting instruments. As instrument design improves, it has become a selling point on many lights to have as little heat radiating from the front of the fixture as possible to help prevent burn-through, and help keep the stage and actors cooler during performances.

In the theater, gels are typically available in single 20×24-inch (500×600 mm) sheets, which are then cut down to the appropriate size before use. The size originates from the gelatin days: it is the same as a standard baker's sheet, which was used to cast the sheets. In the film industry, gels are usually cut straight from rolls 24" or 48" (600 mm or 1200 mm) wide and 50' (16 m) long, as the size required may vary from a couple of inches to gel a Dedolight or a practical halogen spotlight in a ceiling to many feet to gel a whole window, so a standard sized sheet would be impractical.